• __________
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    • Weaving Frames
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    • Concrete Thread Works
    • Concrete Thread Forms
    • Ceramic Thread Works
    • Concrete Forms
    • Black Thread Works
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  • Drawings
    • War Over Wellness
    • Windows
    • Brick Wall
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    • Three Point Series
    • Concrete Fabric
    • Swatches
    • Thread Lines
    • Peak Prints
    • August
    • Chain-links
    • Tree Fences
    • City Drawings
  • Installation
    • Three Point Series
    • Ascenseur
    • Cityscape
    • Brick Wall Series
  • Publications
    • A Womxn's Place zine
    • Urban Cataloging
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    • Brick Plants
  • Video
    • Paper Boats
    • Counting City Blocks
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  • Menu

DINA WEISS

  • __________
  • Sculpture
    • War Over Wellness
    • Weaving Frames
    • City Needlepoints
    • Weaving Structures
    • Concrete Weavings
    • Concrete Thread Works
    • Concrete Thread Forms
    • Ceramic Thread Works
    • Concrete Forms
    • Black Thread Works
    • City Trash Needlepoints
    • Pattern Structures
    • Brick Fence Plants
    • City Yarn Paintings
    • Skyline Boats
    • Statue of Liberty
  • Drawings
    • War Over Wellness
    • Windows
    • Brick Wall
    • Building Frames
    • City Collages
    • City Scenes
    • Three Point Series
    • Concrete Fabric
    • Swatches
    • Thread Lines
    • Peak Prints
    • August
    • Chain-links
    • Tree Fences
    • City Drawings
  • Installation
    • Three Point Series
    • Ascenseur
    • Cityscape
    • Brick Wall Series
  • Publications
    • A Womxn's Place zine
    • Urban Cataloging
  • Public Art
    • Ground Floor
    • Picket Fence
    • Brick Plants
  • Video
    • Paper Boats
    • Counting City Blocks
  • Scarves
  • About
  • News

 

Featured
Ascenseur, 2011, commissioned for The James Gallery at The Graduate Center CUNY
Ascenseur, 2011, commissioned for The James Gallery at The Graduate Center CUNY

The project served as a moment for reflection. The textiles were derived from the building elevators that were a part of the original design in 1905. The scrims hung adjacent to the gallery windows served to question ornamental function while both visually shielding and interacting with the view of car and pedestrian traffic along Fifth Avenue. 

 

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